Fall/Winter Program: Saravá Acto 3 | Zeitgeist, collective exhibition; EÓN3. La construcción del jardín, by Sandra Val; Topografías del límite, by Rosell Meseguer.

December 1st 2025 - February 28th 2026

Reiners Contemporary Art

Finca Las Tinajas. Carr. de Istán, km 2.4
Marbella, Málaga. Spain

Reiners Contemporary Art launches its fall/winter 2025-2026 program with three exhibition projects that address the critical dimension of territory, image, and contemporary materiality. The series articulates a cross-disciplinary dialogue in which painting, photography, and installation come together around issues related to society, landscape, memory, and visual culture.

In La Caballeriza, the gallery presents the third installment of the Saravá project, a curatorial platform that, throughout the year, has connected different perspectives from Latin America, Africa, and Europe. This new edition focuses on contemporary painting and its ability to address issues such as today's society, nature, cultural imaginaries, and various abstract approaches.

The exhibition brings together works by Stephan Kaluza, Frank Bauer, Till Freiwald, Idowu Oluwaseun, Peter Uka, Corina Gertz y Yana Abramova, artists who expand the medium through languages ranging from critical realism to psychological figuration and the subjective construction of perception.

A Sandra Val's monumental installation provides a structural framework for the space. EÓN3, La construcción del jardín is located in the center of the nave. Made of ceramic, iron, cement, porcelain, and terrazzo, the work proposes a symbolic garden that serves as a meeting place between painting, photography, and architecture. The installation becomes a point of convergence that organizes the experience of the space: a garden conceived as a structure that sustains a sober and non-literal dialogue with the hanging works.

In parallel, La Ermita, a contemplative space inspired by the first Jesuit chapels of 16th-century Brazil and integrated with Andalusian architectural elements, hosts Rosell Meseguer's exhibition Topografías del límite. The project examines landscape and borders as repositories of memory and historical construction. Through photography and installation, Meseguer investigates territories where geology, politics, and spirituality overlap, proposing a reading of landscape as a living archive. In dialogue with the architecture of the space, his works reveal the layers that shape contemporary territories, giving visibility to the relationship between matter, power, and memory.

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